Tessellations or a plate of noseless brie...
The photo at the top of this post gives you some sense of scale, but here's a photo of the nail on my ring finger on top of one of the blocks, which might convey its tinyness more clearly.
The actual piecing of the individual blocks went really smoothly - I enjoyed it hugely and loved seeing a pile of precision-pieced blocks gathering on my desk.
And then playing around with possible arrangements on my pin board.
Piecing the blocks into rows was relatively successful...but piecing the rows to one another was quite disastrous and at this point everything began to go horribly wrong. If I was reading this blog post, I'd really want to see close-up photos of the finished piece, because as sewists, it's the details and finish that we really want to see and study so that we can learn ourselves...so I'm going to have to ask you to look on this piecing with kind eyes, because technically, it's an absolute eyesore and I feel slightly like I'm sharing photos of myself wearing just my underwear by posting these photos! Brace yourself.
The blocks which had once been so crisp and precise, quickly became quite the opposite. The fans of graduating colour distorted into swirls with such definition that it began to look as though it were an intentional design feature (note especially the ones at the bottom of the photo below!).
Blocks refused to meet up politely, stitches bulged under the tension of trying to hold so many layers together and points became blunted, as though I were wielding a cheeseboard laden with brie where the nose had been cut from each.
I always assume that most sewists are perfectionists, as I imagine one of the things that pushes us to constantly start new projects is the wish to learn, progress, to become better and more skilled at what we do, so I'd love to hear how you felt if you've ever had to face a project ending so differently from your own expectations in terms of a complete technique fail. Do you find a way to embrace it or do you squirrel it away quietly in a drawer...which you don't open very often? My normal response is the latter, so I've surprised myself in my reaction to this one!
Ps. Please don't be put off buying this incredibly lovely pattern by reading about my own misadventures - my only difficulty with it came from down-scaling it so heavily.
Pps. I know foundation piecing is perfect for sewing really minuscule pieces, but I've no idea if dealing with this many converging seams at such a small scale is all in day's work for a really competent foundation piecer - I'd love to know if it would be possible to get really amazing pinpoint results with this pattern with more practise or whether it just wasn't the right pattern to scale down in this way.
Pps. And have you seen these incredible miniature quilts?